11/18/2023 0 Comments Album or cover usher good kisserOriginally intended to be the lead single from his eighth studio album, Hard II Love, the song was scrapped from the standard edition track listing, with the track only being included on the Japanese edition of the album. ![]() "Good Kisser" contains the sample of a cover of Bobby Bloom's song "Montego Bay", which was performed by Foster Sylvers. The song was written by Andrew "Pop" Wansel, Bobby Bloom, Jeff Barry, Ronald "Flippa" Colson, Jameel Roberts, Terry Sneed and Warren "Oak" Felder, with co-writing done by Usher, produced by Pop Wansel and Co-produced by Ronald "Flippa" Colson, Jproof, Terry "Tru" Sneed, Natural and Oak Felder. The accompanying music video debuted the same day. The single was released on May 5, 2014, by RCA Records. Usher answers that he wants a beautiful woman with a “nice thin waist, fat ass.” Chopra, on the other hand, asks for a man who makes her laugh and feel safe: “He’s gotta be effortless, you know?” On Hard II Love, Usher isn’t that, but trying too hard hasn’t sounded this good in years."Good Kisser" is a song by American singer Usher. Transitioning from “Need U (Conversation With Priyanka Chopra)” to “Missin U,” Chopra and Usher talk about what they want in a partner. And frankly, hearing him sing, “Tell me what nigga is perfect? Tell me what nigga is right? Tell me what nigga been with the same bitch and she been holdin’ it down for life?” on “FWM” (“Fuck With Me”) is like Ja Rule trying to sing a Luther Vandross song. Then again, Usher is always trying on new personas, and on Hard II Love, he tests out thug-lover Usher. ![]() Let them gain more mainstream recognition before helping yourself to their styles. But when the situation is flipped, few people outside the music industry will know Usher is borrowing from Ty or Jeremih. Of course, younger artists are influenced by more established artists. From the vocal phrasings to the lyrics, “No Limit” is such a Ty Dolla $ign song that I checked to see if Ty had written it. The one thing that rankles is that he jacks artists on the rise to do so. For the most part, it’s sleek and modern, and it snaps right into the current R&B landscape. ![]() ![]() The whole affair sounds so rich that the rootsy Raphael Saadiq-produced closer “Champions” is as out of place as a poor country cousin.Īs “OMG” illustrates, Usher is willing to do anything in order not to two-step gently into that gospel-by-day, grown-n-sexy-R&B-booze-cruise-by-night stage of his career, even though “Tell Me,” an eight-and-a-half-minute quiet storm track is just begging for a raging fire and bearskin rug. Even relative newcomer Metro Boomin’s “Make U a Believer,” one of the record’s standout tracks, is at home among the veterans. Especially on the first half of the album, the production is as sumptuous and smooth as Frette linens. Experts in dealing with exceptional voices like The-Dream and Tricky Stewart (“Bump,” one of many bangers on Hard II Love) and Paul Epworth (the glittery, star-flecked album opener “Need U”) clear out space for Usher to just be Usher. Usher has a warm, rich, creamy voice that needs room to spread. Songs like the fist-pumping cash grab “OMG” are made for singers who rely on over-processing to plump up their vocals. Over the years, Usher has toyed with electronic music which never played to his strengths.
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